{"id":788,"date":"2018-11-01T18:58:19","date_gmt":"2018-11-01T08:58:19","guid":{"rendered":"https:\/\/thejugular.org\/?p=788"},"modified":"2018-11-01T18:58:19","modified_gmt":"2018-11-01T08:58:19","slug":"the-weekly-petri-pain-paint-frida-kahlo","status":"publish","type":"post","link":"https:\/\/jugular.org.au\/index.php\/2018\/11\/01\/the-weekly-petri-pain-paint-frida-kahlo\/","title":{"rendered":"The Weekly Petri: Pain, Paint &#038; Frida Kahlo"},"content":{"rendered":"<div class='booster-block booster-read-block'>\n                <div class=\"twp-read-time\">\n                \t<i class=\"booster-icon twp-clock\"><\/i> <span>Read Time:<\/span>3 Minute, 41 Second                <\/div>\n\n            <\/div><p>by RACHAEL HANLY<\/p>\n<p><strong>This week\u2019s rec: <\/strong>The works of\u00a0Frida Kahlo (1907-1954)<\/p>\n<p><strong>Medium:<\/strong>\u00a0Oil painting<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<div id=\"attachment_794\" style=\"width: 165px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-794\" class=\"alignnone  wp-image-794\" src=\"https:\/\/thejugular.org\/wp-content\/uploads\/2018\/11\/frida-6.jpg\" alt=\"frida 6\" width=\"155\" height=\"230\" srcset=\"https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/11\/frida-6.jpg 404w, https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/11\/frida-6-202x300.jpg 202w\" sizes=\"(max-width: 155px) 100vw, 155px\" \/><p id=\"caption-attachment-794\" class=\"wp-caption-text\"><em>Self-Portrait (1940)<\/em><\/p><\/div>\n<p style=\"text-align: center;\"><em>\u201c<\/em><em>They thought I was a Surrealist, but I wasn<\/em><em>\u2019<\/em><em>t. I never painted dreams. I painted my own reality.<\/em><em>\u201d<\/em><\/p>\n<p style=\"text-align: center;\"><em>&#8211;\u00a0<strong>Frida Kahlo<\/strong><\/em><\/p>\n<p>Frida Kahlo was a Mexican artist born in 1907 whose death in 1954 preceded her recognition as one of Mexico\u2019s most notable artists. Though she was regarded for her political views and unique, unapologetic surrealist style, Kahlo\u2019s life was marred by great suffering- chronic pain, alcoholism, infidelity, physical disability and mental illness were experiences often reflected in her art. It\u2019s easy, when simply observing, to separate an artist\u2019s creation from their personal context, but an examination of Kahlo\u2019s life and works serves as a reminder that behind any revolutionary piece of art is a real person who existed and felt things just as we do.<\/p>\n<div id=\"attachment_793\" style=\"width: 187px\" class=\"wp-caption alignleft\"><img decoding=\"async\" aria-describedby=\"caption-attachment-793\" class=\"  wp-image-793 alignleft\" src=\"https:\/\/thejugular.org\/wp-content\/uploads\/2018\/11\/frida.png\" alt=\"frida\" width=\"177\" height=\"231\" srcset=\"https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/11\/frida.png 256w, https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/11\/frida-230x300.png 230w\" sizes=\"(max-width: 177px) 100vw, 177px\" \/><p id=\"caption-attachment-793\" class=\"wp-caption-text\"><em>Self Portrait in a Velvet Dress (1926)<\/em><\/p><\/div>\n<p>As a child, Kahlo suffered from polio which she eventually overcame, but this illness left her right leg much thinner than her left. She had always been passionate about art, but did not seriously consider it as a profession. \u00a0As a young adult, she attended university with dreams of becoming a doctor, exhibiting a strong sense of Mexican nationalism and heavily inspired by Marxist ideology.<\/p>\n<p>However, her ambitions were crushed in 1925, when a horrific bus accident impaled an iron rod through her pelvis, displacing three vertebrae and leaving her in a full-body cast for three months. It was during this time that she rediscovered a passion for art- knowing that her dream of becoming a doctor would never come to fruition, she considered a career as a medical illustrator in an attempt to combine her two passions. Art soon became a medium of expression, and, left alone with her thoughts, she would often paint her most familiar subject- herself.<\/p>\n<p>Her style is bold and candid despite Surrealist influences, with her early art displaying Renaissance undertones- this would later evolve and adopt more of a Mexican folk art feel in an attempt by Kahlo to produce art for her own people that rejected the notion of Western superiority. Notable is her abandonment of traditional ideals of perfection and beauty, giving rise to the infamous monobrow-and-moustache combination that was so characteristic of her self portraits.<\/p>\n<div id=\"attachment_792\" style=\"width: 252px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" aria-describedby=\"caption-attachment-792\" class=\"alignnone  wp-image-792\" src=\"https:\/\/thejugular.org\/wp-content\/uploads\/2018\/11\/frida-2.png\" alt=\"frida 2\" width=\"242\" height=\"314\" srcset=\"https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/11\/frida-2.png 501w, https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/11\/frida-2-231x300.png 231w\" sizes=\"(max-width: 242px) 100vw, 242px\" \/><p id=\"caption-attachment-792\" class=\"wp-caption-text\"><em>Self Portrait with Thorn Necklace and Hummingbird (1940)<\/em><\/p><\/div>\n<p>Kahlo\u2019s life was further complicated by her tumultuous marriage to fellow artist Diego Rivera in 1929- infidelity plagued the relationship, Kahlo engaging in affairs with the likes of entertainer Josephine Baker and Russian revolutionary Leon Trotsky, Rivera with Kahlo\u2019s own sister, among many other women. Kahlo\u2019s inability to successfully carry through a pregnancy due to her injuries was a major source of grief- her painting, <em>Henry Ford Hospital<\/em>, mourns one of the three miscarriages she suffered. The heartbreak is striking- symbols of a fetus, pelvic bone and uterus-like orchid surround a haemorrhaging Kahlo, seemingly connected by umbilical cords.<\/p>\n<div id=\"attachment_791\" style=\"width: 410px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-791\" class=\"alignnone  wp-image-791\" src=\"https:\/\/thejugular.org\/wp-content\/uploads\/2018\/11\/frida-3.png\" alt=\"frida 3\" width=\"400\" height=\"320\" srcset=\"https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/11\/frida-3.png 751w, https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/11\/frida-3-300x240.png 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-791\" class=\"wp-caption-text\"><em>Henry Ford Hospital (1932)<\/em><\/p><\/div>\n<p>Kahlo\u2019s health continued to decline throughout the 1940s, and following the death of her father she sank into depression. Her paintings during this time would continue to reflect the pain she felt and multiple surgeries she underwent- notable is her 1944 painting <em>The Broken Column<\/em>, in which Kahlo, encased in a brace, depicts her spine as a crumbling column, staring martyr-like at the viewer with nails embedded in her body.<\/p>\n<dl id=\"attachment_790\" class=\"wp-caption alignright\" style=\"width: 143px;\">\n<dt class=\"wp-caption-dt\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-790\" src=\"https:\/\/thejugular.org\/wp-content\/uploads\/2018\/11\/frida-4.png\" alt=\"frida 4\" width=\"143\" height=\"189\" srcset=\"https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/11\/frida-4.png 423w, https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/11\/frida-4-227x300.png 227w\" sizes=\"(max-width: 143px) 100vw, 143px\" \/><\/dt>\n<dd class=\"wp-caption-dd\"><em>The Broken Column (1944)<\/em><\/dd>\n<\/dl>\n<p>Mystery surrounds Kahlo\u2019s death- bedridden by 1954 due to numerous surgical complications, the official cause of death was a pulmonary embolism, though many suspect suicide. We do know that the last entry written in her journal simply stated, \u201cI joyfully await the exit- and I hope never to return- Frida.\u201d<\/p>\n<p>It is hard in everyday life to see how medicine is really connected to art. But through an examination of Frida Kahlo\u2019s life and the way in which she expressed her passions, illness and political ideologies, we can hopefully gain an appreciation of different expressions of suffering, and through this become medical practitioners with understanding, intelligence and heart.<\/p>\n<dl id=\"attachment_789\" class=\"wp-caption aligncenter\" style=\"width: 201px;\">\n<dt class=\"wp-caption-dt\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-789\" src=\"https:\/\/thejugular.org\/wp-content\/uploads\/2018\/11\/frida-5.png\" alt=\"frida 5\" width=\"201\" height=\"155\" srcset=\"https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/11\/frida-5.png 469w, https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/11\/frida-5-300x232.png 300w\" sizes=\"(max-width: 201px) 100vw, 201px\" \/><\/dt>\n<dd class=\"wp-caption-dd\"><em>The Wounded Deer (1946)<\/em><\/dd>\n<\/dl>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n        <div class=\"booster-block 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            <\/a>\n                    <div class=\"twp-reaction-title\">Angry<\/div>\n                    <div class=\"twp-count-percent\">\n                                                    <span style=\"display: none;\" class=\"twp-react-count\">0<\/span>\n                                                                        <span class=\"twp-react-percent\"><span>0<\/span> %<\/span>\n                        \n                    <\/div>\n                <\/div>\n\n                <div class=\"twp-reacts-wrap\">\n                    <a react-data=\"be-react-5\" post-id=\"788\" class=\"be-face-icons un-reacted\" href=\"javascript:void(0)\">\n                        <img decoding=\"async\" src=\"https:\/\/jugular.org.au\/wp-content\/plugins\/booster-extension\/\/assets\/icon\/surprise.svg\" alt=\"Surprise\">\n                    <\/a>\n                    <div class=\"twp-reaction-title\">Surprise<\/div>\n                    <div class=\"twp-count-percent\">\n                      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art.<\/p>\n","protected":false},"author":1,"featured_media":795,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[3,12],"tags":[19],"class_list":["post-788","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-the-weekly-petri","tag-featured"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/jugular.org.au\/index.php\/wp-json\/wp\/v2\/posts\/788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jugular.org.au\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jugular.org.au\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jugular.org.au\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jugular.org.au\/index.php\/wp-json\/wp\/v2\/comments?post=788"}],"version-history":[{"count":0,"href":"https:\/\/jugular.org.au\/index.php\/wp-json\/wp\/v2\/posts\/788\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jugular.org.au\/index.php\/wp-json\/wp\/v2\/media\/795"}],"wp:attachment":[{"href":"https:\/\/jugular.org.au\/index.php\/wp-json\/wp\/v2\/media?parent=788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jugular.org.au\/index.php\/wp-json\/wp\/v2\/categories?post=788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jugular.org.au\/index.php\/wp-json\/wp\/v2\/tags?post=788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}