{"id":609,"date":"2018-08-08T18:09:10","date_gmt":"2018-08-08T08:09:10","guid":{"rendered":"https:\/\/thejugular.org\/?p=609"},"modified":"2018-08-08T18:09:10","modified_gmt":"2018-08-08T08:09:10","slug":"the-weekly-petri-anatomy-with-da-vinci","status":"publish","type":"post","link":"https:\/\/jugular.org.au\/index.php\/2018\/08\/08\/the-weekly-petri-anatomy-with-da-vinci\/","title":{"rendered":"The Weekly Petri: Anatomy With Da Vinci"},"content":{"rendered":"<div class='booster-block booster-read-block'>\n                <div class=\"twp-read-time\">\n                \t<i class=\"booster-icon twp-clock\"><\/i> <span>Read Time:<\/span>4 Minute, 41 Second                <\/div>\n\n            <\/div><p>by RACHAEL HANLY &amp; LUANA SAWMYNADEN<\/p>\n<p><strong>This week\u2019s rec:<\/strong>\u00a0Leonardo Da Vinci&#8217;s (1452-1519) anatomical drawings<\/p>\n<p><strong>Medium:<\/strong>\u00a0Pen and ink<\/p>\n<hr \/>\n<div id=\"attachment_610\" style=\"width: 178px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-610\" class=\"  wp-image-610 aligncenter\" src=\"https:\/\/thejugular.org\/wp-content\/uploads\/2018\/08\/self-portrait-davinch.jpg\" alt=\"self-portrait davinch\" width=\"168\" height=\"236\" srcset=\"https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/08\/self-portrait-davinch.jpg 464w, https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/08\/self-portrait-davinch-214x300.jpg 214w\" sizes=\"(max-width: 168px) 100vw, 168px\" \/><p id=\"caption-attachment-610\" class=\"wp-caption-text\">Self Portrait (1512)<\/p><\/div>\n<p style=\"text-align: center;\"><em>\u201cA good painter has two chief objects to paint \u2014 man and the intention of his soul. The former is easy, the latter hard, for it must be expressed by gestures and the movement of the limbs.\u201d<\/em><\/p>\n<p style=\"text-align: center;\"><em><strong>&#8211; Leonardo Da Vinci<\/strong><\/em><\/p>\n<p>Leonardo da Vinci was the archetypal Renaissance man. With interests spanning invention, engineering, cartography, mathematics, history, architecture, music, painting and beyond, we rarely give him the credit he deserves as a revolutionary whose obsessive dedication to the study of the human body showcases a scientific mind far ahead of its time. Despite being possibly the most celebrated artist in history, perhaps even more interesting than the mystery of the Mona Lisa is the shocking accuracy with which Da Vinci was able to understand human anatomy and its relevance to modern medicine.<\/p>\n<p>Born in Florence in 1452, da Vinci was brought into a world at the centre of Renaissance Humanist thought. During his apprenticeship under Andrea del Verroccio he had been encouraged to gain an appreciation of the study of anatomy, and his strength in this area allowed him access to hospitals in Florence, Milan and Rome, where he was permitted to dissect human corpses for further study.<\/p>\n<div id=\"attachment_616\" style=\"width: 189px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-616\" class=\"  wp-image-616 aligncenter\" src=\"https:\/\/thejugular.org\/wp-content\/uploads\/2018\/08\/chiarrusco.png\" alt=\"chiarrusco\" width=\"179\" height=\"260\" srcset=\"https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/08\/chiarrusco.png 297w, https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/08\/chiarrusco-206x300.png 206w\" sizes=\"(max-width: 179px) 100vw, 179px\" \/><p id=\"caption-attachment-616\" class=\"wp-caption-text\">Sketches made realistic using chiaroscuro styling.<\/p><\/div>\n<p>Da Vinci strongly believed in the power of sight, which was, in his opinion, humanity\u2019s most trusted and essential sense. He never ceased to highlight the importance of <em>saper verdere<\/em>; Knowing how to see. Striving to best capture the subject before him, Da Vinci\u2019s anatomical drawings made use of the chiaroscuro technique, a style he largely pioneered in which strong contrasts between light and shadow are used to create a realistic three-dimensional effect. His studies in accuracy not only enabled him to depict more vividly human gestures and expressions, but he also witnessed the different mechanisms involved in bodily movements and conveying emotions.<\/p>\n<p><img decoding=\"async\" class=\"  wp-image-615 alignleft\" src=\"https:\/\/thejugular.org\/wp-content\/uploads\/2018\/08\/brain-davinch.png\" alt=\"brain davinch\" width=\"155\" height=\"222\" srcset=\"https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/08\/brain-davinch.png 326w, https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/08\/brain-davinch-209x300.png 209w\" sizes=\"(max-width: 155px) 100vw, 155px\" \/>During Da Vinci\u2019s time, little was known about human anatomy, with most discoveries largely based on animal dissections. Leonardo, being a reputable Florentine figure and having sufficient influence to lead post-mortem examinations, was one of the first to gain access to fresh human cadavers, mainly of recently executed criminals. His drawings of a foetus in utero, sex organs and other bony and muscular structures were also some of the first in history. The work was tedious, with no proper methods for embalming bodies, which led to their quick decomposition within 3 days. However, his commitment and curiosity were formidable opponents to the biological time-limit placed on his studies.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"  wp-image-614 alignright\" src=\"https:\/\/thejugular.org\/wp-content\/uploads\/2018\/08\/spine-davinch.png\" alt=\"spine davinch\" width=\"159\" height=\"201\" srcset=\"https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/08\/spine-davinch.png 356w, https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/08\/spine-davinch-237x300.png 237w\" sizes=\"(max-width: 159px) 100vw, 159px\" \/>His more detailed anatomical studies began in 1506, when he made the acquaintance of <em>el vechio<\/em> \u2013 the old man \u2013 in a hospital in Florence, who claimed to have been more than 100 years old. \u201cAnd thus, without any movement or sign of any mishap, he passed from this life. And I dissected him to see the cause of so sweet a death\u201d, wrote Leonardo, who by the time had already conducted 10 human dissections. His notes from the centenarian\u2019s case documented the earliest known description of hepatic cirrhosis.<\/p>\n<p>In 1511, he dedicated his attention to the structure of the heart. His observations dismissed common misconceptions: his accurate descriptions of the 4 cardiac chambers rejected the two-chambered model of the time and he was first to affirm that the heart was at the core of the vascular system, otherwise attributed to the liver. He surpassed his peers by managing to describe cardiac movements, such as the contraction and relaxation of the atria and ventricles. While assisting a pig\u2019s slaughter, he noticed the rotation of the spears inserted in its heart, which led to the discovery of cardiac twist, which happens when the heart empties itself, a mechanism which is currently subject of much discussion in regards to heart failure, where this ability is lost.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"  wp-image-612 alignleft\" src=\"https:\/\/thejugular.org\/wp-content\/uploads\/2018\/08\/heart-davinch.png\" alt=\"heart davinch\" width=\"175\" height=\"168\" srcset=\"https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/08\/heart-davinch.png 396w, https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/08\/heart-davinch-300x287.png 300w\" sizes=\"(max-width: 175px) 100vw, 175px\" \/><\/p>\n<p>Indubitably, his most ingenious contribution was in 1513, with his recreation in glass of an ox\u2019s heart while attempting to understand how the aortic valves ensured blood flow was unidirectional. He pumped a mixture of grass seeds suspended in water through his creation and witnessed little circular vortices, which assist in the closing of the valves, in the swelling of the root of the aorta \u2013 known 200 years later as the sinus of Valsalva. However, since his research was never made public, this phenomenon was never observed again until 1968, when two engineers from Oxford published an article in Nature heavily based on his work.<\/p>\n<p>By the end of his life, in 1519, Da Vinci had conducted more than 30 human dissections and the 6,500 sheets from his notebooks were dispersed, undiscovered and unappreciated, until the 19<sup>th<\/sup> century. Unfortunately, this implied that Leonardo\u2019s breathtaking discoveries did not have much historical impact on medical science, a tragedy, considering his life\u2019s work contains some of history\u2019s finest anatomical illustrations, with precision comparable to CT and MRI scans.<\/p>\n<div id=\"attachment_611\" style=\"width: 235px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-611\" class=\"  wp-image-611 aligncenter\" src=\"https:\/\/thejugular.org\/wp-content\/uploads\/2018\/08\/vitruvian-man.jpg\" alt=\"vitruvian man\" width=\"225\" height=\"317\" srcset=\"https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/08\/vitruvian-man.jpg 354w, https:\/\/jugular.org.au\/wp-content\/uploads\/2018\/08\/vitruvian-man-212x300.jpg 212w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><p id=\"caption-attachment-611\" class=\"wp-caption-text\">The Vitruvian Man (c. 1490), Da Vinci&#8217;s most recognisable anatomical work.<\/p><\/div>\n<p>While sadly the fruits of da Vinci\u2019s labour, lost to time, were unable to contribute largely to medical innovation, our knowledge in the present allows us insight into the mind of a brilliant scientist. It is in observing individuals like da Vinci that we can see how art and medicine intersect and at times rely on one another.<\/p>\n        <div class=\"booster-block booster-reactions-block\">\n            <div class=\"twp-reactions-icons\">\n                \n                <div class=\"twp-reacts-wrap\">\n                    <a react-data=\"be-react-1\" post-id=\"609\" class=\"be-face-icons un-reacted\" href=\"javascript:void(0)\">\n                        <img decoding=\"async\" src=\"https:\/\/jugular.org.au\/wp-content\/plugins\/booster-extension\/\/assets\/icon\/happy.svg\" alt=\"Happy\">\n                    <\/a>\n                    <div class=\"twp-reaction-title\">\n                        Happy                    <\/div>\n                    <div class=\"twp-count-percent\">\n                                                    <span style=\"display: none;\" class=\"twp-react-count\">0<\/span>\n                        \n                                                <span 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